Cân Elenydd

Cân Elenydd

SHIFT,  Basement Capitol Centre,
Queen St, Cardiff, CF10 2HQ
Opening
18.00 – 22.00 Wed 20th November 2019

Gallery opens from
12:00 – 18:00 Thursday   21st November
12:00 – 18:00  Friday      22nd November
19:00 – 21:00  Friday      22nd November Artists in conversation with SHIFT                            12:00 – 18:00 Saturday   23rd November

Audio-visual work by a number of South and West Wales based artists exploring recently discovered personal family histories connected with voice/song. The artists’ have all (re)connected with a family member, living, dead, met and not met through an inquiry that started from a stumbled upon object, family heirloom or conversation. With this work the artists both archive and bring to the present the details of significant family events, routine activities and synchronicities across the generations, deepening personal connections and family relationships and drawing attention to their own sense of mortality and identity.

Cân Elenydd Video / Sonic Installation. A collaboration between composer Sianed Jones, her mother, visual artist Mary Lloyd Jones, video artist Jacob Whittaker  visual artist Maria Hayes with additional direction from Louise Wells.

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It all started with a discovery of a handbag containing pencil written letters from Sianed’s great aunt Dilys writing to her brothers in the trenches of WW1; a correspondence with a mystery Mr J.R.Owen from Machynlleth; a gift of a Swyn; a charm of protection; a story of Sianed’s grandfather and great Uncle as young lads, walking from village to village around Devils Bridge carrying a harp on their backs; a series of live video/sonic/visual improvisations rooted in the healing powers of a circle. Cân Elenydd weaves all these stories and improvisations together. http://www.sianed.co.uk      http://www.jacobwhittaker.co.uk   http://www.mariahayes.info       http://www.marylloydjones.co.ukCanShift

 

17m:19s:00f by Jon Rattigan a video piece I made during a period of research on the duration, beginnings, ends and mid points of events.

The film’s split-screen form depicts the duration of my late father’s life, with each frame of video, projected at 25fps, representing a single day of his 72 years; on one side, aided by 2 time-codes, we see life progressing and on the other, we see it running out.

The seemingly abstract colour cycle on screen is actually made of extreme close-ups of his handed-down photographic darkroom equipment and on the sound track we hear his home-made photo-processing timing tape, as well as a little singing. The objects are arranged according to the way in which the Italian cinematographer Vittorio Storaro used colour to represent different periods of a life- birth, education, maturity etc., in the film The Last Emperor. www.jonratigan.com

‘In His Heels’ by Johanna Hartwig 

After my Grandmother died we found some old 78 records in her house, including a recording by my Great Grandfather, a Cantor (singer/leader in religious song and prayer) from Czechoslovakia. One song stood out. Google translated the song title from Hebrew as ‘In His Heels. After squashing this big voice into a digital file, it felt as though it should be let out, expanded again into a physical space and shared.  That same year I found out I had a cousin, Sion, living only a couple of miles away. Sion agreed to respond to the recording using our voices and acoustic instruments that we could both play to some degree or other. The people who contributed to this track – Leon, Si, Adam, Thomas are part of the story too, a continuation. In the making of it there were found sticks in place of misplaced brushes, shared parallel histories and a friend that turned up at the right time to help make this. www.johanahartwig.co.uk

Postcard Records & Rivers

Couple of postcard flexidisc records with a bit of river theme.  They might be used in a mix for the Afon festival http://www.may-nard.org/afon

33975181946_1486698b26_oTop centre image is the Guildhall from Lendal Bridge, crossing the river Ouse.  It is mentioned in the recording…

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Aberglasyn Pass N. Wales. The bridge over the river Glaslyn has a nice story connected to the Devil, as do various other bridges..

Records & Rivers (2)

Another selection that could be part of the mix at the Afon festival next week…
http://www.may-nard.org/afon

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Picked this up in Tenovus Haverfordwest for the Mix in 2015.  Bois y Felin are from Solva I believe…

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Neis iawn…So many Welsh recors have rivers on..not surprising I guess given how many rivers there are here!

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Not familiar with Caernarfon but pretty sure that’s a river!

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Ahh lovely rendering of Cenarth bridge and the river Teifi…

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Quite liking the stylised river on this.

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Moving away from Wales finally…I assume this is the Thames in the foreground.  Interesting selection of songs from all over the UK on this double album, though none about rivers.

Records & Rivers

A selection of records with rivers on that might make it into a mix at the Afon festival http://www.may-nard.org/afon

Starting local..3316432431_d96c289689_o
Fantastic cover with a shot of Cenarth bridge and the iconic Teifi coracles.  I’ve quite a few copies of this, though I’m not sure I’ve ever used them..  this might be the time to play them all together.

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Pretty sure this is Pont Allt y Cafan near Llandysul.  Couple of copies, one from Carmarthen Salvation Army shop, not sure about the other..

44122938694_5b6ecbd315_oI got this one in Cardigan market for the Untitled mix for the End of Empire I did last year in Glyn Vivian Gallery Swansea.  The cover design was selected through a competition won by a girl from Swansea.

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Fine Hound.  Signed on the back by Ieuan, this was in the animal welfare charity shop in Cardigan.

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Part of A Mix for Haverfordwest in 2015, picked it up in the Paul Sartori charity shop there..

Afon

I will be performing some new work for this in a couple of weeks…

http://www.may-nard.org/afon

Looking at my vinyl record database and thinking of the years I spent over the valley from Abercych in Llechryd, watching the floods come and go…

I used to put all the pictures in a set on flickr – Sometimes I live by a Lake

Sometimes I Live by a Lake

I’m finding some interesting river songs and sleeves in my collection and putting a few out in Bara Menyn in the lead up to the festival.. starting with a the 3 locally themed albums
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And then to include singles from further afield2019-09-02 09.11.42-2

The Christmas Variations

This new work for Oriel Blodau Bach is a collection of ‘Pregeth Christmas Evans’ vinyl record covers.  Born near Llandysul at Christmas in 1766, Christmas Evans grew up in Bwlchog, in the parish of Llanfihangel-ar-Arth and went on to become one of the most well known and influential preachers in Wales.

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Read more on the Oriel Blodau Bach website

Exhibition 24 August // Awst – 12 October // Hydref 2019

The Christmas Variations includes a playlist of videos

Vinyl Connects

Llanina

Approaching Llanina beach 

A few records to connect to place and people..

  • Janet a Glenda – NC Emlyn
  • Dafydd ac Ifan – Aberaeron
  • Cromlech – Pont-Siân
  • Cor Rhianedd Tysul – Llandysul
  • Doreen Lewis – Aberaeron
  • D. Jacob Davies – Alltyblaca – Cribyn – Rhydowen etc. Y smotyn ddu!
  • Côr Dyfed – Llandysul – St David’s Diocese
  • Picture Frame Seduction – New Quay – Haverfordwest
  • Angela Rogers Lewis – Abermeurig
  • Adar Tydfor – Cwmtydu
  • Gwynne James – (Penrhiwllan)

Songs of the Sea

Sounds at Llanina

6.30pm on Tuesday 13th August I’ll be playing some sounds in Llanina church with the lovely Deuair – Elsa Davies and Ceri Owen Jones.  I made this short video with them a few years back.

The video was filmed in Elsa’s grandparents old house just outside New Quay.  When I described the place to my mum she told me that she knew the place and had been there when her and my dad were moving to our house in Gilfachreda, that they had arranged a private mortgage with the seller and had to visit their home in Pentregarth to sort it out.  That would have been Elsa’s grandparents and the house we moved to was called Dolau.

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Dolau

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Dolau – That’s me in the cage on the right about to grab a chicken

Llanina church and woods is just not far from the village of Gilfachreda.

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Llanina stream and woods

When I was young we used to go and collect conkers from the woods there, home to some of the best horse chestnut trees in the area.  It was a favourite place to walk as it has all you could want on a walk – woodland, ruins, a stream, a mansion, a churchyard and a beach!

 


By Llywelyn2000 – Gwaith yr uwchlwythwr, CC BY-SA 4.0

In 2012 I was invited to make some work for an exhibition in Aberystwyth on a theme of climate change.  Thinking on my family and our journeys and impact on my local environment I decided to make a series of recordings between New Quay and Aberystwyth and included Llanina as a connecting point to my dad whose ashes were scattered at Llanina.

For pretty much all of my childhood my dad would travel daily to work in Aberystwyth, sometimes driving, sometimes car sharing with work colleagues, for financial not environmental reasons.  I too, for all my years of secondary school regularly traveled by bus up the coast to Aberaeron.  So for the exhibition I combined field recordings made in New Quay, Llanina, Aberaeron and Aberystwyth with vinyl records related to music from Aberystwyth and sounds of the Welsh countryside.  I also included the voices of the other artists exhibiting and fragments of some of their work.  Below is the recorded work and the writing from the exhibition.

Reflex – 43m 48s loop, (with 3 turntables)

The work is composed from various recordings made by myself and the other artists involved in the ‘predicting a climate archive’ exhibition. The primary sound source is a recording made at Llanina, treated in different ways within the work. One instance is created through repeated saving as MP3 and re-saving creating compression artifacts within the audio, adding rhythms and peculiarities which are enhanced by normalising, time-stretching, pitch-shifting and filtering. The corruption of the data through transfer, compression and conversion reflects the potential distortion allied to the continued updating of archival practice.

Familiar natural sounds emerge combined with fragments of vinyl records introduced by an electronic voice reading it’s database entry, while voices of the other artists discussing issues, ideas and intentions surrounding this installation create a connection to current daily activity in the area. Submerged within other sounds, they occasionally surface, displaced and out of time they could be anywhere.

(Additional turntables place sounds used within the composition, and other local recordings, in discrete locations in the space allowing the visitor different listening experiences according to their position.)

I am currently working on some new work for this gig in Llanina next week using field recordings from the area, a cassette of my mum reading tarot, some trombone recorded on the beach, music relating to my Uncle Dave (session musician and Black Lion denizen), and a number of locally connected vinyl records.

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Uncle Dave

Childhood Memory

Me & my brother with Uncle Dave