Cân Elenydd

Cân Elenydd

SHIFT,  Basement Capitol Centre,
Queen St, Cardiff, CF10 2HQ
Opening
18.00 – 22.00 Wed 20th November 2019

Gallery opens from
12:00 – 18:00 Thursday   21st November
12:00 – 18:00  Friday      22nd November
19:00 – 21:00  Friday      22nd November Artists in conversation with SHIFT                            12:00 – 18:00 Saturday   23rd November

Audio-visual work by a number of South and West Wales based artists exploring recently discovered personal family histories connected with voice/song. The artists’ have all (re)connected with a family member, living, dead, met and not met through an inquiry that started from a stumbled upon object, family heirloom or conversation. With this work the artists both archive and bring to the present the details of significant family events, routine activities and synchronicities across the generations, deepening personal connections and family relationships and drawing attention to their own sense of mortality and identity.

Cân Elenydd Video / Sonic Installation. A collaboration between composer Sianed Jones, her mother, visual artist Mary Lloyd Jones, video artist Jacob Whittaker  visual artist Maria Hayes with additional direction from Louise Wells.

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It all started with a discovery of a handbag containing pencil written letters from Sianed’s great aunt Dilys writing to her brothers in the trenches of WW1; a correspondence with a mystery Mr J.R.Owen from Machynlleth; a gift of a Swyn; a charm of protection; a story of Sianed’s grandfather and great Uncle as young lads, walking from village to village around Devils Bridge carrying a harp on their backs; a series of live video/sonic/visual improvisations rooted in the healing powers of a circle. Cân Elenydd weaves all these stories and improvisations together. http://www.sianed.co.uk      http://www.jacobwhittaker.co.uk   http://www.mariahayes.info       http://www.marylloydjones.co.ukCanShift

 

17m:19s:00f by Jon Rattigan a video piece I made during a period of research on the duration, beginnings, ends and mid points of events.

The film’s split-screen form depicts the duration of my late father’s life, with each frame of video, projected at 25fps, representing a single day of his 72 years; on one side, aided by 2 time-codes, we see life progressing and on the other, we see it running out.

The seemingly abstract colour cycle on screen is actually made of extreme close-ups of his handed-down photographic darkroom equipment and on the sound track we hear his home-made photo-processing timing tape, as well as a little singing. The objects are arranged according to the way in which the Italian cinematographer Vittorio Storaro used colour to represent different periods of a life- birth, education, maturity etc., in the film The Last Emperor. www.jonratigan.com

‘In His Heels’ by Johanna Hartwig 

After my Grandmother died we found some old 78 records in her house, including a recording by my Great Grandfather, a Cantor (singer/leader in religious song and prayer) from Czechoslovakia. One song stood out. Google translated the song title from Hebrew as ‘In His Heels. After squashing this big voice into a digital file, it felt as though it should be let out, expanded again into a physical space and shared.  That same year I found out I had a cousin, Sion, living only a couple of miles away. Sion agreed to respond to the recording using our voices and acoustic instruments that we could both play to some degree or other. The people who contributed to this track – Leon, Si, Adam, Thomas are part of the story too, a continuation. In the making of it there were found sticks in place of misplaced brushes, shared parallel histories and a friend that turned up at the right time to help make this. www.johanahartwig.co.uk

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